Pusher
Nicolas Winding Refn

© Jokers Films
Frank deals heroin and moves in petty criminal circles in Copenhagen. His debt to the Serbian drug dealer Milo drives him to go for a big deal. But the police storm in during the transaction, and in the ensuing chase, Frank loses both the drugs and the money. In a fit of rage, Frank sends his sidekick Tonny to hospital. But Milo is starting to lose patience and is getting threatening.
Cast : Kim Bodnia, Zlatko Buric, Laura Drasbæk, Slavko Labovic, Mads Mikkelsen
Scenario: Jens Dahl, Nicolas Winding Refn
Cinematography: Morten Søborg
Editing: Anne Østerud
Music: Povl Kristian, Peter Peter
Scenario: Jens Dahl, Nicolas Winding Refn
Cinematography: Morten Søborg
Editing: Anne Østerud
Music: Povl Kristian, Peter Peter
Production : Balboa Entertainment
Distribution : The Jokers
Distribution : The Jokers
"Pusher is the first feature film by Nicolas Winding Refn, who had previously cut his teeth on short films, one of which, with the same title, served as the basis for the future feature. Co-written with a friend, Jens Dahl, Pusher was released in 1996 in Denmark and, on a limited scale, in a few other countries, to a frosty critical reception. In France, the film was not released until ten years later, at the same time as its two sequels. In the meantime, the director had made Bleeder (1999, released in France in 2016) and Inside Job (2003, released in France in 2004). To say that Pusher failed to impress the French press upon its release would be an understatement, and Michael Ghennam wrote in L’Annuel du cinéma 2007: ‘In his approach, Refn draws as much from Lars von Trier and his Dogme movement as he does from Martin Scorsese for the world he depicts. Such comparisons are heavy-handed and risky, and Refn does not emerge unscathed’, (Les Fiches du cinéma). Yet the film would gradually develop a cult following, inextricably linked to the trilogy as a whole. Admittedly, the plot can be summarised in just a few pages. Frank, a small-time drug dealer in Copenhagen, gets his heroin from Milo, an influential Serbian kingpin. Hiding his stash at his stripper girlfriend’s flat, he struggles to pay off his debts. Together with his accomplice Tonny, he tries to find some money… But the essence of the film does not lie in this synopsis, which does little to reveal the film’s power." (Gérard Crespo; avoir-alire.com)