White Dog

Is racism an incurable mental illness or an acquired behaviour that can be treated? This anthropological and philosophical question forms the basis of White Dog, the controversial film made by Samuel Fuller (1911-1997) in 1982, based on the novel by Romain Gary (1914-1980) Chien blanc (1970). (...) However, the author had a very difficult time imposing his choices as director in a turbulent creative environment. Even before the film was completed, lobbyists accused Fuller of racist intentions. During filming, he received a visit from representatives of the NAACP (National Association for the Advancement of Colored People) who wanted to ensure that the film did not undermine their dignity. Fuller eventually chased them off the set, but the damage was done. Paramount was frightened by the rumours and blocked the film’s distribution. Ten years later, its theatrical release was limited in the United States and reserved for a few countries such as France, where a disgusted Fuller went into exile. The film was not released on DVD until 2008. White Dog has lost none of its power or relevance. While racism can be fought, the film teaches us that its residual hatred resists education. (Sandrine Marques; Le Monde)