Une de perdue, une de perdue
Mathilde Elu
Next sessions


Read by :

Born to a French-American father and an English mother, India Hair landed her first role in Raphaël Jacoulot’s Avant l'aube. In 2012, she won the Prix Lumière for Most Promising Actress and was nominated for a César for Most Promising Actress for Noémie Lvovsky’s Camille redouble. She went on to appear in Alain Guiraudie’s Rester vertical, Hubert Charuel’s Petit paysan, Quentin Dupieux’s Mandibules and Maïwenn’s Jeanne du Barry. In 2021, she was again nominated for the César for Most Promising Actress for her role in Olivier Babinet’s Poissonsexe. She subsequently appeared in the series Polar Park and Les Enfants sont rois, followed by Aude Léa Rapin’s Planète B, Julie Delpy’s Les Barbares and Emmanuel Mouret’s Trois amies, which was presented in competition at the Venice Film Festival. In 2025, she starred in Valentine Cadic’s Le Rendez-vous de l'été, presented at the Berlinale, and Luc and Jean-Pierre Dardenne’s Jeunes mères, selected at Cannes. She will soon be appearing in Danielle Arbid and Lucie Borleteau’s series Singapura, and in the films Les Matins merveilleux by Avril Besson and Histoires parallèles by Asghar Farhadi.

Georgia Scalliet was a sociétaire of the Comédie-Française from 2017 to 2020. She won the Molière for Best Young Female Talent in The Three Sisters. On the big screen, she played the lead role in Gilles Legrand’s L’Odeur de la mandarine alongside Olivier Gourmet. She appeared in the series Les Sauvages by Rebecca Zlotowski, Parlement by Noé Debré and Le Monde n'existe pas by Erwan Le Duc. She also starred in Chronique d’une liaison passagère by Emmanuel Mouret and L'Accident de piano by Quentin Dupieux.

Harpo Guit co-directed with his brother Lenny Guit the short film La Brigade du kiff and the feature films Fils de plouc and Aimer perdre, released in 2025. He also appeared in Benoît Délépine’s Animal Totem with Samir Guesmi and, this year, in Graham Guit’s Plus Forts que le Diable with Melvil Poupaud, which premieres at Premiers Plans, and in Emmanuel Marre’s Notre salut.